One of the major problems in the ar

One of the major problems in the art world is how to distinguish and promote an artist. In 1
effect, a market must be created for an artist to be successful. The practice of signing and numbering individual prints was introduced by James Abbott McNill Whistler, the nineteenth - century artist
best known for the painting of his mother, called “ Arrangement in grey and Black”, but known to
most of us as “ Whistler’s Mother”. Whistler’s brother - in - law, Sir Francis Seymour Haden, a less 5
well - known artist, had speculated that collectors might find prints more attractive if they knew that
they were only a limited number of copies produced. By signing the work in pencil, an artist could
guarantee and personalize each print.
As soon as Whistler and Haden began the practice of signing and numbering their prints, their
work began to increase in value. When other artists noticed that the signed prints commanded higher 10
prices, they began copying the procedure.
Although most prints are signed on the right - hand side in the margin below the image, the
placement of the signature is a matter of personal choice. Indeed, prints have been signed within the
image, in any of the margins, or even on the reverse side of the print. Wherever the artist elects to
sing it, a signed print is still valued above an unsigned one, even in the same edition.

Kết quả (Tiếng Indonesia) 1:

Salah satu masalah utama di dunia seni adalah bagaimana membedakan dan mempromosikan seorang seniman. Dalam 1Efek, pasar harus dibuat bagi seorang artis untuk menjadi sukses. Praktek penandatanganan dan penomoran individu cetakan diperkenalkan oleh James Abbott McNill Whistler, kesembilan belas - abad artis terkenal karena lukisan ibunya, yang disebut "Pengaturan abu-abu" dan hitam, tapi dikenal sebagian besar dari kita sebagai "Whistler's Ibu". Whistler's saudara - in - hukum, Sir Francis Seymour Haden, kurang 5baik - seniman yang terkenal, telah berspekulasi bahwa kolektor mungkin menemukan cetakan lebih menarik jika mereka tahu bahwa mereka adalah hanya sejumlah terbatas salinan yang diproduksi. Dengan menandatangani pekerjaan di pensil, seorang seniman bisa menjamin dan personalisasi cetak masing-masing. Segera setelah Whistler dan Haden mulai praktek penandatanganan dan penomoran cetakan mereka, mereka pekerjaan dimulai untuk meningkatkan nilainya. Ketika seniman lain melihat bahwa cetakan signed memerintahkan lebih tinggi 10harga, mereka mulai menyalin prosedur. Meskipun kebanyakan cetakan ditandatangani di sebelah kanan - sisi dalam margin di bawah gambar, penempatan tanda tangan adalah masalah pilihan pribadi. Memang, cetakan telah ditandatangani dalam Gambar, di margin, atau bahkan pada sisi cetak. Dimanapun artis memilih untuk bernyanyi itu, cetak ditandatangani yang masih dihargai di atas satu unsigned, bahkan dalam edisi yang sama.