Every culture has it’s own set of m

Every culture has it’s own set of music, fashion and stereotypes. They’re defining factors that help to shape what the culture is. The rave sub culture is no different than any other culture. J.D. Lasica of the Sacramento Bee says that raves are “an entire subculture, complete with its own music, fashion, lingo, philosophy – and drug of choice, Ecstasy (1).” The fashion, music, and other characteristics of the rave scene are unique. The music of the rave scene can be categorized under Electronica, which can be sub-divided into multiple types of music. Each type of music, although still carrying some form of electronics, has a different sound. Some examples that author Jimi Fritz explained are:

Techno [music] uses the 4/4 beat structure and eight bar repeating structure to build predominately percussive tracks that use purely electronic sounds. Ambient music is designed to relax the listener. Generally under 90 bpm [beats per minute] or totally beatless. Happy Hardcore is fast and furious four-beat hardcore with wacky, speeded-up, cartoony vocals added (89-90).

These are just a few of over fifty different varieties there are of electronic music. Different people have different tastes and likes of which music is most appealing. Where as some people love the speeded-up, fast pace of Happy Hardcore, other’s despise it. The music that can be heard at raves is as diverse as the people who attend them are. Every culture or sub culture has a fashion, or a certain look that can classify the people who belong. Rave fashion extends from just baggy pants and hooded sweatshirts to the more flamboyantly glitter-clad, multi-colored plastic jewelry-wearing teenagers who may also wear fairy wings. Heather Morgan writes of the kids that she sees attending a rave. “Teenagers dressed uniformly in baggy jeans and hooded sweatshirts.” Many ravers although they have their own different and unique style of dress can be classified together because most ravers wear the traditional baggy jeans and hooded sweatshirts. This shows that to the common eye most ravers look exactly alike, which is how a fashion style unique to the rave scene was created. Denizet-Lewis who reported from inside the rave scene notices a boy “dressed in a white tank top, large furry pants, and what appears to be five pounds of children’s plastic jewelry around his neck (60).” Many ravers wear what is called candy or raver-beads, which are no more than brightly colored plastic beads made into necklaces and bracelets. Many ravers exchange bracelets throughout the course of the evening. It’s a friendly way to meet people and have a chance to exchange jewelry, smiles, and conversation. Ravers who wear tons of these bracelets and necklaces are often referred to as “Candy-Kids” which is just another form of fashion at raves. Candy-Kids usually wear brightly colored outfits, lots of glitter, stickers, and plastic jewelry. Throughout the rave scene, Candy-Kids are usually known as the nicest type of raver there is. Farley, writing for Time magazine states “ravers often wear loose, wide-legged jeans that flare out at the bottom. Knickknacks from childhood, like suckers, pacifiers, and dolls, are common accessories (70+).” A lot of the suckers and pacifiers that are seen around a rave have turned into a style. Originally kids who were rolling on ecstasy used suckers and pacifiers. Ecstasy causes jaw tension and teeth grinding and such devices were used to prevent those side effects. However pacifiers have gone from a practical use to a fashion statement. This ties into what author Jimi Fritz had to say about the style around the rave scene. “One of the defining characteristics of rave culture and a conspicuous influence on its sense of style is the preoccupation with innocence and child-like fun. Ravers love to play with children’s toys and will even bring teddy bears or other stuffed toys to parties (211).” A common theme when looking around at ravers at a party is how child-like the people who attend appear. Girls have their hair pulled back into ponytails and have children’s hair clips in. Boys and girls alike will carry around stuffed animals as well as other children’s toys. This is a way for a generation that is growing up to still hold onto their youth. This way they have a reminder of their playful and youthful side as they enter into the world of being grown-up. Raves allow for people to revert back into being young again, even if it’s just for the night. Sometimes that’s all it takes to relieve oneself of the stress they carry in the adult world.

Kết quả (Việt) 1:

Mọi nền văn hóa đã thiết lập riêng của nó về âm nhạc, thời trang và khuôn. Họ đã xác định các yếu tố có thể trợ giúp để hình thành các nền văn hóa là gì. Rave tiểu văn hóa là không có khác hơn so với bất kỳ nền văn hóa khác. JD Lasica của Sacramento Bee nói rằng raves "diện toàn bộ subculture, hoàn chỉnh với âm nhạc của riêng mình, thời trang, lingo triết học-, và ma túy của sự lựa chọn, Ecstasy (1)." Thời trang, âm nhạc, và các đặc tính khác của cảnh rave là duy nhất. Âm nhạc của rave cảnh có thể được phân loại theo Electronica, mà có thể được phụ chia thành nhiều loại âm nhạc. Mỗi loại âm nhạc, mặc dù vẫn còn mang theo một số hình thức điện tử, có một âm thanh khác nhau. Một số ví dụ rằng tác giả Jimi Fritz giải thích là:Techno [nhạc] sử dụng cấu trúc nhịp 4/4 và 8 bar lặp đi lặp lại cấu trúc để xây dựng chủ yếu bài nhạc Hàn sử dụng âm thanh điện tử hoàn toàn. Môi trường xung quanh âm nhạc được thiết kế để thư giãn nghe. Nói chung nhỏ hơn 90 bpm [nhịp mỗi phút] hoặc hoàn toàn beatless. Hạnh phúc Hardcore là nhanh và tức giận bốn-beat hardcore với wacky, tốc-up, biếm giọng hát thêm (89-90).These are just a few of over fifty different varieties there are of electronic music. Different people have different tastes and likes of which music is most appealing. Where as some people love the speeded-up, fast pace of Happy Hardcore, other’s despise it. The music that can be heard at raves is as diverse as the people who attend them are. Every culture or sub culture has a fashion, or a certain look that can classify the people who belong. Rave fashion extends from just baggy pants and hooded sweatshirts to the more flamboyantly glitter-clad, multi-colored plastic jewelry-wearing teenagers who may also wear fairy wings. Heather Morgan writes of the kids that she sees attending a rave. “Teenagers dressed uniformly in baggy jeans and hooded sweatshirts.” Many ravers although they have their own different and unique style of dress can be classified together because most ravers wear the traditional baggy jeans and hooded sweatshirts. This shows that to the common eye most ravers look exactly alike, which is how a fashion style unique to the rave scene was created. Denizet-Lewis who reported from inside the rave scene notices a boy “dressed in a white tank top, large furry pants, and what appears to be five pounds of children’s plastic jewelry around his neck (60).” Many ravers wear what is called candy or raver-beads, which are no more than brightly colored plastic beads made into necklaces and bracelets. Many ravers exchange bracelets throughout the course of the evening. It’s a friendly way to meet people and have a chance to exchange jewelry, smiles, and conversation. Ravers who wear tons of these bracelets and necklaces are often referred to as “Candy-Kids” which is just another form of fashion at raves. Candy-Kids usually wear brightly colored outfits, lots of glitter, stickers, and plastic jewelry. Throughout the rave scene, Candy-Kids are usually known as the nicest type of raver there is. Farley, writing for Time magazine states “ravers often wear loose, wide-legged jeans that flare out at the bottom. Knickknacks from childhood, like suckers, pacifiers, and dolls, are common accessories (70+).” A lot of the suckers and pacifiers that are seen around a rave have turned into a style. Originally kids who were rolling on ecstasy used suckers and pacifiers. Ecstasy causes jaw tension and teeth grinding and such devices were used to prevent those side effects. However pacifiers have gone from a practical use to a fashion statement. This ties into what author Jimi Fritz had to say about the style around the rave scene. “One of the defining characteristics of rave culture and a conspicuous influence on its sense of style is the preoccupation with innocence and child-like fun. Ravers love to play with children’s toys and will even bring teddy bears or other stuffed toys to parties (211).” A common theme when looking around at ravers at a party is how child-like the people who attend appear. Girls have their hair pulled back into ponytails and have children’s hair clips in. Boys and girls alike will carry around stuffed animals as well as other children’s toys. This is a way for a generation that is growing up to still hold onto their youth. This way they have a reminder of their playful and youthful side as they enter into the world of being grown-up. Raves allow for people to revert back into being young again, even if it’s just for the night. Sometimes that’s all it takes to relieve oneself of the stress they carry in the adult world.