Sawada Tsuyanoshi's day starts out in the usual fashion: him being jol dịch - Sawada Tsuyanoshi's day starts out in the usual fashion: him being jol Việt làm thế nào để nói

Sawada Tsuyanoshi's day starts out

Sawada Tsuyanoshi's day starts out in the usual fashion: him being jolted awake by a very, very loud explosion somewhere on the ground floor of his house. The young mafia boss-to-be cracks his eyes open, stares blearily at the first thing he notices (i.e. his alarm clock, cheerily informing him that he's awake two hours too early), allows himself fifteen seconds to mourn his utter lack of a normal life and proceeds to stumble out of bed, to see what he can do to remedy the situation. He already knows what awaits him there, and is thus able to duck as soon as he's turned the corner and entered the living room, narrowly avoiding getting shot in the face by the Ten Years Later Bazooka.

Tsuna yawns and steps forward, swinging his arms out wide and planting himself in between a whining Lambo and a totally apathetic Reborn; they argue so much in this fashion that their exchange faithfully matches the script running through Tsuna's head, allowing him to interject at the perfect times without actually having to think at all. Exactly an hour later, Bianchi steps out of the shower on cue, gloriously naked but for the towel wrapped around her person – she proceeds to scoop Reborn up into her arms and bear him away on her bosom, leaving Tsuna to console Lambo before his mother arrives, joyfully informing the household that breakfast was ready. I-pin also chooses that moment to return to the house from her morning jogging route, trailed by an extremely loud and extremely exuberant Ryohei Sasagawa – Colonello is perched on his head, gruff and abusive as always. By then, Tsuna is awake enough to have the sense to invite his Sun Guardian and his trainer over for breakfast
As soon as he's well-fed, showered, properly dressed and out the door, Gokudera Hayato is waiting outside of his gates, bowing low, offering up his usual alibi ("Good morning, Tenth! I just happened to be passing by!") – Yamamoto is with him, thumbs hooked against the sides of his pockets, smile in place. Tsuna walks in between his two closest friends, sometimes joining in their conversation, sometimes content with watching Yamamoto and Gokudera interact and basking in the glow of their company. They run into Haru at the intersection, and the girl joins them part of the way. Gokudera's flailing increases exponentially, now that the one other person capable of garnering that sort of reaction has turned up to bug him. The Yamamoto Takeshi and Miura Haru double team, Tsuna realizes not for the first time, is a lethal one.

Kyoko and Hana turn up at lunch period, with Kyoko bearing a huge bento box fit to feed an army; upon seeing Kyoko, Tsuna remembers that he had promised to taste test her cooking the other week, and gladly drags everyone in to demolish the contents of the bento. The hour passes by only too quickly because he's having way too much fun, in spite of the fact that it's incredibly hard not to watch the collection of small, pretty movements that Kyoko is whenever she's up close and personal.
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Sawada Tsuyanoshi's day starts out in the usual fashion: him being jolted awake by a very, very loud explosion somewhere on the ground floor of his house. The young mafia boss-to-be cracks his eyes open, stares blearily at the first thing he notices (i.e. his alarm clock, cheerily informing him that he's awake two hours too early), allows himself fifteen seconds to mourn his utter lack of a normal life and proceeds to stumble out of bed, to see what he can do to remedy the situation. He already knows what awaits him there, and is thus able to duck as soon as he's turned the corner and entered the living room, narrowly avoiding getting shot in the face by the Ten Years Later Bazooka.Tsuna yawns and steps forward, swinging his arms out wide and planting himself in between a whining Lambo and a totally apathetic Reborn; they argue so much in this fashion that their exchange faithfully matches the script running through Tsuna's head, allowing him to interject at the perfect times without actually having to think at all. Exactly an hour later, Bianchi steps out of the shower on cue, gloriously naked but for the towel wrapped around her person – she proceeds to scoop Reborn up into her arms and bear him away on her bosom, leaving Tsuna to console Lambo before his mother arrives, joyfully informing the household that breakfast was ready. I-pin also chooses that moment to return to the house from her morning jogging route, trailed by an extremely loud and extremely exuberant Ryohei Sasagawa – Colonello is perched on his head, gruff and abusive as always. By then, Tsuna is awake enough to have the sense to invite his Sun Guardian and his trainer over for breakfastAs soon as he's well-fed, showered, properly dressed and out the door, Gokudera Hayato is waiting outside of his gates, bowing low, offering up his usual alibi ("Good morning, Tenth! I just happened to be passing by!") – Yamamoto is with him, thumbs hooked against the sides of his pockets, smile in place. Tsuna walks in between his two closest friends, sometimes joining in their conversation, sometimes content with watching Yamamoto and Gokudera interact and basking in the glow of their company. They run into Haru at the intersection, and the girl joins them part of the way. Gokudera's flailing increases exponentially, now that the one other person capable of garnering that sort of reaction has turned up to bug him. The Yamamoto Takeshi and Miura Haru double team, Tsuna realizes not for the first time, is a lethal one.Kyoko and Hana turn up at lunch period, with Kyoko bearing a huge bento box fit to feed an army; upon seeing Kyoko, Tsuna remembers that he had promised to taste test her cooking the other week, and gladly drags everyone in to demolish the contents of the bento. The hour passes by only too quickly because he's having way too much fun, in spite of the fact that it's incredibly hard not to watch the collection of small, pretty movements that Kyoko is whenever she's up close and personal.
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