R Resources which are what you have to work with. These include human  dịch - R Resources which are what you have to work with. These include human  Việt làm thế nào để nói

R Resources which are what you have

R Resources which are what you have to work with. These include human and physical resources and their motivation and aims.
S Scores which describe the process leading to the performance.
V Valuaction which analyzes the results of action and possible selectivity and decisions. The term “valuaction” is one coined to suggest the action-oriented as well as the decision- oriented aspects of V in the cycle.
P Performance which is the resultant of scores and is the “style” of the process.
Together I feel that these describe all the procedures inherent in the creative process. They must feed back all along the way, each to the other, and thus make communication possible. In a process-oriented society they must all be visible continuously, in order to work so as to avoid secrecy and the manipulation of people.
Together they form what I have called the RSVP cycles.
The diagram above describes the multidimensional and moving interconnectedness between all the elements of the cycle. It can as correctly read, P, R, S, V or any other combination. It is important to emphasize this point. The cycle operates in any direction and by overlapping. The cycle can start at any point and move in any direction. The sequence is completely variable depending on the situation, the scorer, and the intent. By chance, when I finally put the headings together, they spelled out RSVP, which is a communications idea meaning “respond.”
This is, obviously, an essential ingredient of the cycle. As I and others have worked with this cycle it has become increasingly clear that the cycle must work at two levels. The first of these is the personal, private level of the self, which I use with a lower case “s” according to the Gestalt psychology. This cycle is an inner one, appropriately, and refers to one’s own personal Gestalt: the people who are close to you, your personal environment, attitudes, interests, even hangups; one’s motivational inner world as distinct from one’s outer-oriented world. This self RSVP cycle appears graphically at the center of the community or group RSVP cycle which is in effect composed of all the individual self-cycles engaged in the activity of scoring.
The private, self-oriented inner cycle and the community, group-oriented outer cycle together make up the RSVP cycles necessary to encompass all human creative processes. Thus, this book deals with the two RSVP cycles. The inner cycle as the separate self and the outer cycle as the collective self: individual and community.
The book then, as it finally emerged, describes the effects of the various parts of the RSVP cycles on the process of scoring and on what has emerged from the scores. Particularly in the environmental section the entire RSVP cycles are in use all the way through, since in the planning of environments every facet of the total cycle has importance. In other activities, the whole cycle is not desired or required. When that is the case it has been so indicated
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R Resources which are what you have to work with. These include human and physical resources and their motivation and aims.S Scores which describe the process leading to the performance.V Valuaction which analyzes the results of action and possible selectivity and decisions. The term “valuaction” is one coined to suggest the action-oriented as well as the decision- oriented aspects of V in the cycle.P Performance which is the resultant of scores and is the “style” of the process.Together I feel that these describe all the procedures inherent in the creative process. They must feed back all along the way, each to the other, and thus make communication possible. In a process-oriented society they must all be visible continuously, in order to work so as to avoid secrecy and the manipulation of people.Together they form what I have called the RSVP cycles.The diagram above describes the multidimensional and moving interconnectedness between all the elements of the cycle. It can as correctly read, P, R, S, V or any other combination. It is important to emphasize this point. The cycle operates in any direction and by overlapping. The cycle can start at any point and move in any direction. The sequence is completely variable depending on the situation, the scorer, and the intent. By chance, when I finally put the headings together, they spelled out RSVP, which is a communications idea meaning “respond.”This is, obviously, an essential ingredient of the cycle. As I and others have worked with this cycle it has become increasingly clear that the cycle must work at two levels. The first of these is the personal, private level of the self, which I use with a lower case “s” according to the Gestalt psychology. This cycle is an inner one, appropriately, and refers to one’s own personal Gestalt: the people who are close to you, your personal environment, attitudes, interests, even hangups; one’s motivational inner world as distinct from one’s outer-oriented world. This self RSVP cycle appears graphically at the center of the community or group RSVP cycle which is in effect composed of all the individual self-cycles engaged in the activity of scoring.The private, self-oriented inner cycle and the community, group-oriented outer cycle together make up the RSVP cycles necessary to encompass all human creative processes. Thus, this book deals with the two RSVP cycles. The inner cycle as the separate self and the outer cycle as the collective self: individual and community.The book then, as it finally emerged, describes the effects of the various parts of the RSVP cycles on the process of scoring and on what has emerged from the scores. Particularly in the environmental section the entire RSVP cycles are in use all the way through, since in the planning of environments every facet of the total cycle has importance. In other activities, the whole cycle is not desired or required. When that is the case it has been so indicated
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