This culture has effaced the frontier (strongly defended by modernist art) between high culture and mass culture. Jameson points to the postmodern fascination with the 'whole "degraded" landscape of schlock and kitsch, TV soaps and Readers' Digest, advertising, motels, the late show, grade-B/Hollywood film and pulp fiction'. This commercial culture is no longer held at bay or parodied in modernist fashion, or in the double-coded manner described by Linda Hutcheon, but incorporated directly, Jameson believes, into postmodern art. Andy Warhol's work, for example, reveals the total interpenetration of aesthetic and commodity production.
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